The major diamond producing company in Namibia is Namdeb Diamond Corporation (Pty) Ltd, which accounts for an average of 1.6 million carats per annum. Other companies mining diamonds in Namibia include Sakawe Mining Corporation (Samincor) and Diamond Fields Namibia (Pty) Ltd.
Wednesday, December 31, 2008
Namibia- Diamonds
The major diamond producing company in Namibia is Namdeb Diamond Corporation (Pty) Ltd, which accounts for an average of 1.6 million carats per annum. Other companies mining diamonds in Namibia include Sakawe Mining Corporation (Samincor) and Diamond Fields Namibia (Pty) Ltd.
Tuesday, December 23, 2008
Parking Clocks
Car Park Photo
Car Parks at Ringwood
The display of a correctly set valid clock, will allow motorists to park in the relevant NFDC car parks without incurring a further charge. Motorists who do not wish to purchase a clock can pay at the ticket machine. Holders of the clock are subject to the waiting restrictions which apply in NFDC car parks.Parking is free for those displaying a valid Blue Disabled Parking Badge.
Thursday, December 18, 2008
Funds of hedge funds
Monday, December 08, 2008
FDI measured and compared between countries
FDI stocksFDI stocks measure the level of cumulative FDI stock of capital investment by foreign enterprises at a single point of time that takes account of both new investment and disinvestment. The United Nations Conference on Trade and Development (UNCTAD) produces annual statistics of global stock movements in their World Investment Report.
FDI flowsFDI flows are new investments by foreign enterprises made during a period of time – either by calendar or tax year. While much inward investment is included in FDI flow statistics, not all of it will be. For example, if an inward investor decided to expand its facilities in the UK but used local finance, this would not appear in FDI flow statistics as it involves no inflow of
money to the country.
Friday, December 05, 2008
Italian painting of the 16th century
In a brief moment of equilibrium, artists achieved the harmonious balance and elevated conception that is the High Renaissance. In Rome this was shortly replaced by the self-conscious artifice of the style we call mannerism. Venice, on the other hand, produced a succession of artists devoted to color, light, and a more sensual approach to paint.
In the early sixteenth century, the center of patronage in the arts shifted to Rome. Pope Julius II recruited the finest artists of the day for his ambitious building program; Raphael and Michelangelo continued and expanded Leonardo's High Renaissance style, characterized by classical balance, controlled movement, and an elevated conception. Raphael learned from Leonardo that a fully resolved composition was attained only after intensive study of the human figure.
The High Renaissance drew to a close in the 1520s with the death of Raphael and the political and social upheaval following the Sack of Rome. Raphael's gifted Roman pupils dispersed as new ideas were ripening elsewhere in Italy. In Venice, for example, brilliant painters came forward at a phenomenal rate. New subjects for painting were devised: landscapes and cityscapes, still lifes, ecstatic visions of saints, and genre scenes of everyday life. Artists greatly expanded the expressive potential of the relatively new medium of oil paint.
Subsequent generations of artists reassessed the Renaissance norm of superb drawing combined with an idealization of nature, which had been established by Leonardo, Raphael, and Michelangelo. A group of central Italian painters, including Perino del Vaga and Pontormo, devised mannerism, a style of self- consciously elegant poses and markedly unnatural colors. The style of these artists was not fully accepted by Venetian artists, however, who were more interested in effects of color, light, atmosphere, and texture: Titian instilled a new sensuality in his art, while Tintoretto's scenes are boldly sketched and highly dramatic in mood.
Later in the sixteenth century came stylistic developments that are now called the baroque. A family of artists in Bologna, the Carracci, set about reinvigorating the grand tradition of Italian painting. Their efforts to combine central-Italian skill in drawing with the lifelike warmth and coloristic richness of the Venetians led to a new synthesis of nature and the ideal. The revolutionary dramatic naturalism of the short-lived Caravaggio influenced the work of dozens of artists all over Europe.